Not “Death Becomes Her” as in the shitty 90s’ movie, “Death Becomes Her” as in the title/theme of my first ever art journal/altered book! I have long avoided doing something like this and until I finally accepted an invitation to be a part of a round robin art journal situation I didn’t realize why I had been avoiding it. The truth is that although I have been putting my work out there more in the last year, selling something on Etsy or talking about it on my blog keeps a safe layer of detachment to buffer any possible criticism or rejection and that makes it safe. I mean, I don’t know that something in my Etsy shop isn’t selling because people hate it so it is easy for my ego to assume that Etsy is such a huge market that it is difficult to get the exposure you need to make a ton of sales. When you are putting your work into someone’s art journal there is a lot more riding on it. I don’t want to do something that someone hates! I would feel horrible!!!!
That being said, I have pulled up my big girl panties and am putting on my brave face to participate in the round robin I was recently invited to do. Part of the reason I decided to do it is because the women involved in this project are pretty special people. Now, this project is intended to have a darker theme and because of that a level of privacy/secrecy has been requested so I will not be sharing the names of these wonderful ladies and I will not be sharing any of the art they put in my journal but I will say that they are all amazingly funny, real people and I am delighted to be getting to know them through this process (ladies, you know who you are and you rock).
My first task in this project was learning to bind my own journal. FYI there are some really great video tutorials on YouTube for this and after watching several that explained several different methods I figured out what would work best for me. My biggest issue was that because my book cover will take a while to finish I really wanted to bind my journal in a way that would allow for adding the cover after. I ended cutting a strip of file folder and covering it with pretty paper to use as a spine so that it can be glued into my cover once the journal has been returned to me. I have no idea what this stitch is called but I like it because it allows the book to lay flat no matter where it is opened.
The first page that I did in the journal was the title/sign-in page. For this I decided to do a really textural piece with a little door in it that opens to the sign in. I created the textured outer piece separately and then glued it over the sign-in sheet so that the door opens to it. For the sign in I used a wash of watercolor to give the paper a little aged look and in the lower corner I drew a heart and used watercolor pencils to paint it; the blood was done in acrylic paint.
I did a two page spread in my journal honoring my great-great-grandmother. I have been thinking about her story a lot while working on this piece and I have to say that it is no wonder I turned out to be a little “creepy”. I don’t really feel that I am creepy but there has been a household vote and my son and Big Orange have decided that I am so I guess I must be.
My first name comes from two women in my family, my great-great-grandmother Katie Morris, who was a known “seer” (or so the family legend goes), and my great-great-grandmother Katie Beavis Bradley Bailey (maiden name, first husband’s name, and second husband’s name in case you were wondering). This is the woman my pages are about. Knowing that I was named after these two women made me have a special interest in them as a child but knowing that one of them was a small town psychic and the other was murdered at 37 made me obsess about them.
The short version of Katie Bailey is this: Her marriage to my great-great-grandfather, Louis Bradley, ended in the early 1900’s and she remarried to a man named Charles Bailey. Her second husband turned out to be a wife-beating drunk and she left him several times during the course of their three-year marriage. In 1907 Katie decided to leave him for good and go back to her first husband. She was renting a room in a house in S.E. Portland while she took care of all the arrangements to make this happen and when Charles Bailey found out that she was going back to Louis he snapped.
On the afternoon of September 5th, 1907, Charles Bailey went to my great, great grandmother’s house and shot her in the head, shot and killed her 12-year-old daughter Rhoda, and then killed himself. The saddest part of this story is that Katie did not die from her injuries that day. She lived in a coma for another three years before passing and because they didn’t know what to do with people in that condition back then, she lived her final years in the Oregon State Insane Asylum (the name was later changed to the Oregon State Hospital, this is where One Flew Over the Cuckoo’s Nest was filmed ).
The photos on this page are of Katie and the Oregon State Insane Asylum circa 1907. The text around the revolver is actual snippets from the articles written in The Morning Oregonian in the days after the tragedy. I did have a little mistake on this page that I am kind of bummed about but am trying to ignore. I ran out of the tissue paper I use to print the ghostly text and photos on so I tried using tracing paper and this didn’t work very well. It was fine until I attacked it with Mod Podge and then everything rapidly went to hell. Because you can’t really read that section of text I will just type it here:
And here she withered for the next three years, awaiting death’s embrace.
Thus ends the sad, sad tale of a woman who was shown no grace.
Here are a few detail shots of the pages:
I am very excited to get this packaged up and shipped to the first amazing artist who will be working my journal so I am off to search for a box it will fit in. I might post about this once more after I finish the cover so I can show you but I will not be sharing the rest of the art in my journal when I get it back as it is for my eyes only.









